An appendix is provided for addresses of publishers, music centres, and locations of the scores (in public / private libraries and collections). More info in Wikipedia Guitar CANÇO DEL LLADRE (Canción Popular Catalana) |1'30"| see Anthologies ESTILO POPULAR ARGENTINO (Armonizado para guitarra según la versión de Pedro M.Quijano) |2'| marks scores located in private and public collections. More info in Enciclopedia de la Guitarra. Guitarist, composer, was born and died in Barcelona. Each record consists of: title of the composition, instrumentation, year of composition, duration, publisher, year of publication, publisher’s catalogue number, location of the score. The works of each composer are listed by performance medium (guitar solo, ensemble of guitars, ensemble with guitar, guitar and orchestra, voice and guitar, etc.). INTRODUCTION INTRODUCTION The Guide lists the most significant pieces for guitar solo and ensemble, composed since 1900. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, or by any information storage and retrieval system, without permission in writing from the publisher. © Copyright by Vincenzo Pocci All Rights Reserved. Each case represents an invaluable experience of aesthetic reconstruction in a new creative territory that, by its own transterritoriality, has in turn enriched the sonic map of the Caribbean island.The guide to the guitarist’s modern and contemporary repertoireĬatalog of the repertoire since 1900 for guitar solo, guitar in chamber music and guitar with orchestra arranged by author compiled and edited by Vincenzo Pocci Whether adopting an uncontested identification with the new cultural milieu or resorting to discursive strategies of appropriation and de/re-territorialized negotiation, this text centres on the compositional journeys of four Cuban composers who settled in different European cities: Leo Brouwer (Córdoba, Spain) Eduardo Morales-Caso (Madrid) Keyla Orozco (Amsterdam) and Louis Aguirre (Aalborg, Denmark). The situations encountered by composers who migrated to Europe varied, depending on generational differences and on the dynamics of the socio-political and cultural powers to which each of them were exposed in their new reception contexts. Increasing dire economic conditions on the island led to many changes that impoverished cultural life, including the relocation of composers in Europe, the United States, and other countries in the Americas. It was the beginning of the so-called ‘Special Period in Times of Peace’. The fall of Communist rule in Eastern Europe (1989–91) had a profound impact on economic, socio-political, and cultural conditions in Cuba during the 1990s.
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